Spring is coming (despite the storms in the Northeast) and that means a new lineup of major VR projects at the Tribeca Film Festival this year. The immersive side of the film festival includes both a Virtual Arcade and the Storyscapes competition, with 21 entries in the Arcade and 5 in Storyscapes.
There’s a lot to look forward to, including a new project from Eliza McNitt who was behind the stunning VR experience at Sundance, SPHERES: Songs of Space/Time.
New this year at Tribeca is a program called Cinema360 where 20 people at a time go through the same 360° video VR experience. This is not social VR – you’ll still be isolated in your own headset. But the idea is that people will talk about the experiences afterward. We’re curious to see how that works; Tribeca is not exactly known for its laid-back atmosphere. When it comes to VR experiences at the festival, everyone seems to run from one event to another in an (unsuccessful) effort and beat the long lines.
From personal observation, people really don’t talk much to each (except the people they’re with) in leaving a traditional movie theater experience. At least, not in New York. But we’re open to any experiments that may break down the isolating quality of our virtual reality experiences.
In addition, there will be 33 VR projects at Tribeca from well-known artists and creators such as Jeremy Bailenson, Chris Milk, Eliza McNitt, Eugene Chung, Gabo Arora, and Saschka Unseld, and work from emerging artists including Asad J. Malik, Gabriela Arp, and Lucas Rizzotto.
Major VR projects at Tribeca
Here’s a summary of the VR experiences at the Film Festival,
Several Immersive projects featured in the program tackle timely cultural issues, including racism (1,000 Cut Journey), climate change (This is Climate Change), immigration and xenophobia (Terminal 3), nuclear war (The Day the World Changed) and HIV/AIDS (Queerskins: a love story). In addition, the lineup includes programming that allows visitors to become active participants in astonishing experiences, such as swimming with sharks (Into the Now), caring for a baby elephant (My Africa), being caught in the bombing raid of a town square (Hero), and participating in a groundbreaking collaboration of AR and Immersive Theater from creators Graham Sack, Sensorium Works and NY Theater Workshop (objects in mirror AR closer than they appear).
Ingrid Kopp, co-curator of Tribeca Immersive, said that as VR and AR improve, so does the storytelling.
Each year, we’re seeing creators push boundaries and explore new ways to tell stories through VR. As the technology improves, so does the storytelling, and with that we are able to use VR to tackle new issues, experiences and narratives and invite new audiences to experience these projects.
Tribeca Film Festival tickets and info
We’ll follow-up with more details on the VR projects at Tribeca in the coming weeks. As in earlier years, the VR experiences will be at the Tribeca Festival Hub in the Spring Studios on 50 Varick Street. Tickets for the Virtual Arcade (and Storyscapes) is $40.00 with tickets for the Cinema360 screenings at $15. Tickets go on sale March 27th at tribecafilm.com/immersive. Or you can contact them at (646) 502-5296 or toll-free at (866) 941-FEST (3378).
The Festival has a track record of supporting innovative VR storytelling. Hope to see you there!
Emory Craig is a writer, speaker, and VR consultant with extensive experience in art, new media, and higher education. He speaks at global conferences on innovation, education, and ethical technology in the future. He has published widely and worked with the US Agency for International Development, the United Nations, and the Organization for Economic Co-operation and Development (OECD). Living at the intersection of learning, games, and immersive storytelling, he is fascinated by AI-based avatars, digital twins, and the ethical implications of blurring the boundaries between the real and the virtual.