NYT VR Film Wins World Press Photo Award

NYT VR The Displaced VR Film Chuol

Not surprisingly, The New York Times VR film, “The Displaced“, took an award in the 2016 World Press Photo contest. The award came under the Innovative Storytelling category in the multimedia area. Created through the NYT VR project, “The Displaced” follows three children from Ukraine, Syria and Southern Sudan whose lives have been torn apart by war.

Lars Boering, managing director of the World Press Photo Foundation, noted,

The media landscape is in constant flux and the future is not fixed. While that creates enormous pressures for many, it also offers incredible opportunities to reporters and storytellers to explore and innovate.

NYT VR The Displaced-Ukraine Child

Currently, the NY Times is the only newspaper to have a virtual reality editor, Jenna Pirog, along with a highly skilled creative team. Ben C. Solomon, one of the co-directors of “The Displaced”,  noted

What’s truly exciting is not the things we’ve made but the ones we’ll be able to make once the technology advances even more and storytellers understand it better.

The World Press Photo Contest

The World Press Photo contest has run for the past sixty years. The timeline of winning photos is a remarkable glimpse of political turmoil and human suffering (if largely from a western, established media perspective). But outside of the first color photograph to win in 1967, and the launch of the separate multimedia contest in 2011, the format has changed little.

In the future, the multimedia category may play a more central role in the contest. For now, the still image dominates photojournalism and holds tremendous power over us. The contest’s statistics are telling – only 369 productions were submitted to the multimedia section. The main contest had 82,951 entries.

Obviously, technical challenges factor into this. Photographs are easy to take and the delivery system is drop dead simple (first the printed page, now a web page). But as immersive experiences become more prevalent, and new distribution models simplify access, this will change.

Eventually, the photo itself may be replaced with the 360 image or VR experience, and become the award-winning “image” of the year. The NY Times VR experience is a small but significant step in this direction.

Sadly though, the subject-matter will probably be the same as it has been for the past sixty years of the contest. And then, one can only hope that Chris Milk is right, that virtual reality will be an empathy machine.

 

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